I can now understand why Picass'o did 58 variations on this painting 'Las Meninas' I feel that I am also obsessed, trying to sense the relationships of light and dark which give shape and depth to this space. With every collage something is discovered and something is left out. Doing it from memory and sensation is so much more interesting than trying to be guided by
refering to the print. The panel of Sae's collage with dog connects in an uncanny way to my collage on the right. It is as if
he walked across to the other side of the room from where he was first depicted. Being witness to Sae's interpretation of
the same painting is so exciting. It seems we consistently have an opposite focus. We hope that you can observe something
of our process from looking at this series of collages.