G A L L E R Y
A R C T U R U S
The whole is greater than the sum of the parts
Elena Akhvlediani, 1927
To do the collages above we first cut a photocopy of this painting into three vertical sections.
Sae took the left hand section and I, deborah
took the middle section. We worked on our
pieces independently and when they were finished, laid them next to each other.
The result was surprising.
A Search for Light in Dark Places
Marc Chagalle, The Birth 1911
Playing with Chagall
Collage by deborah harris
Marc Chagall, Lovers in Green 1917
A Deep Dive
This image has been shown before but with a different title. The person who inspired its repeated use wishes to remain annonymous.
Their requirement is "no name, no face no personality."
Just unexplored depth.
The beauty of mechanical forms
Painting and installation by Eduard Zibnitski
Chairs and ladders
Paintings by E.J. Gold, foot and hand by Sae Kimura, ladder and chairs contributed by d harris, curved forms by Lee Harris,
sitting figure by d harris
Inside the studio
Three interpretations of an etching by Alexei Kravchenko
Planting Poles
Watching a work crew maneuver a huge timber into position, replacing old electrical poles with new. An incredible feat of engineering and coordination, staggering to observe. This opportunity came right in front of my house.
Forcing ourselves to see more
Collage by Sae Kimura Collage by deborah harris
Painting by Jean Edouard Vuillard 1891
Finally it's Spring
Paintings by Eric Mc Connachie
On display in the Ascending Gallery
Platform 2, After the Storm
Collage by deborah harris
Painting by Walter Sickert
Same caravan different time of day
When we made copies of the Sickert painting our copier went crazy on the colour and produced this one you see here.
We immediately engaged in correcting the imperfections on the printer but after strongly rejecting this copy I ended up
being inspired to base my collage on this depiction. The collage above while looking significantly different was an attempt
to interpret Walter Sickert's painting. This exercise is always such a learning in how and what we observe.
Visiting the Caravan
Collage by Sae Kimura
Painting by Walter Sickert
Something of a Sci-fi mystery
Maybe it was the strange music that was playing
or the mechanical hum of the computer
but influences find their way into us and consequently into the process of collage.
That is one way of seeing those influences outside of ourselves
Life is like collage and collage is like dream
As the World Turns....things change
Feeling a bit under the weather
Beware the winds of March
The Dog Crossed Over
I can now understand why Picass'o did 58 variations on this painting 'Las Meninas' I feel that I am also obsessed, trying to sense the relationships of light and dark which give shape and depth to this space. With every collage something is discovered and something is left out. Doing it from memory and sensation is so much more interesting than trying to be guided by
refering to the print. The panel of Sae's collage with dog connects in an uncanny way to my collage on the right. It is as if
he walked across to the other side of the room from where he was first depicted. Being witness to Sae's interpretation of
the same painting is so exciting. It seems we consistently have an opposite focus. We hope that you can observe something
of our process from looking at this series of collages.
Collaging in the third dimension
Infanta Margaret Theresa
Las Meninas,1656 by Diego Velazquez
What was found today
It is my misfortune - and probably my delight - to use things as my passions tell me....I put all the things I like into my pictures.
The things - so much the worse for them; they just have to put up with it.
Picasso In His Words
Giving Form
Painting (art itself) isn't an
aesthetic operation; it's a form
of magic designed as a
mediator between this strange,
hostile world and us, a way of
seizing the power by giving form
to our terrors as well as our desires.
When I came to that realization,
I knew I had found my way.
Picasso
Waiting for Return
Choosing a Path of Light
After a rather long hibernation the light has entered in to the cave calling to come out and engage in the world
