G A L L E R Y
A R C T U R U S
We have copies of this book available for viewing and or purchase
at the gallery for our discounted price of $55.00each.
Today both Sae and I were very focused trying to recreate the happenings of the gallery through 2019 til the end of 2020.
Sae collecting images and I recording the dates and actual unfolding of exhibits. It is a strangely disorienting task
to go back in time but we seem to have survived. We agreed that this image conveys a sense of the experience.
This week we finished the book that we have
dedicated to Floyd Kuptana, our friend and
fellow artist who inspired and worked with us
on the drawings shown on these pages.
We invite you to click on the link and enjoy.
The book will be available in hardcover, (at a discount), from the Gallery within the next month.
It seems to me that 'authentic' is a presumptuous claimfor any of us humans to make about anything that we 'do'.
It is true to say that artists are 'touching the surface'.It is what artists do. They choose a medium, paint, graphite, clay, glass, metal,and they manipulate it, usually with their hands, in order to discover something.
Perhaps they do not know what they are looking for and maybethey do not find out but it is a worthy pursuit to inquire intothe honest motive and completed gesture of the work.
Touching the surface is a courageous act, making a visible mark which can be witnessed and judged, seen and experienced by othersbut mostly in the hope that it can penetrate to something deeper.
Today we sat on a bench in small alley which surprisingly faces exactly onto the back wall of the gallery.
This back wall has many windows. In one of them we had the idea to put a painting facing out
so that those people living in the surrounding condos or, as we did, decide to sit on a bench to have their coffee,
can discover and perhaps even be inspired to visit us.
And what is the moment?
It is a unity, a circle of beings,
content in that moment.
This is a gift of spacious
« Listening to Hania's music over and over, I began to dream of a single sequence shot that would follow her music floating in the wind of an unreal Icelandic landscape. I asked each dancer to give a personal interpretation of Hania's song. We were very lucky to succeed in this insane artistic performance despite the great cold (minus 7 celsius), it was such a moment of truth. Shot in Iceland on February 23, 2020. »
Directed by Neels Castillon
Music by Hania Rani
Dancers — Mellina Boubetra, Janina Sarantšina, Fanny Sage
Tis is the season for raking leaves and some of us are very enthusiastic about this task.
Unfortunately, the city has suspended the pick up of yard waste and so....
This morning we made a platform for the bags to sit on so that the grass and small flowers
will not be crushed while waiting, wrapping them with canvas in case of rain and tying them
'round with rope so that they will not fall and spill all over everywhere. Practical creativity.
Not particularly beautiful but somehow satisfying.
...in memory of his beloved mother Georgia Boyd - December 1939 - March 27 2020
It seems we are all a bit confused and shy to follow the directions for COVID 19 but it is our duty to be responsible
not only for our self but for those who share the world with us, those we love and care for and those who are unknown.
Many lives depend upon our correct action, this situation may be the shock needed to shift our awareness.
It gets easier if we are all in this together. (that's why Sae and I are practicing and trying to get you onboard)
After using collage with this Medieval set we went out on the street and photographed an old building in the state of demolition and salvation
and found that we had somehow created almost exactly the same construction as in the painting, (seen in our Feb 27th blog).
This was unconscious and therefore surprising, the way we take in impressions and remember them in our bodies.
... thanks to Eron Boyd
For these collages we each had a copy of the two paintings shown above which we combined.
All in all we were able to finish thirteen collages using the same material.
These are the first three.
This strange coming together of elements to make what could be called a sculpture,
is a playful and spontaneous response to the objects and materials present in the space
but also to the inquiry itself. Irrefutable alteration provides a framework to
explore and to perceive variations on a theme.
Looking at the different images on the blog will give you a hint of those possibilities.
This show that is currently evolving began as P R I M A L J O U R N E Y
with a solitary boat figure in a tumultuous sea.The figure descended and turned,
M E E T I N G W H A L E.
"And then what? we asked. How does this story continue?
Even whales must come up for air. Gravity below our feet keeps us standing or pulls us over.
As you probably saw in earlier blogs we cut the boat and stood it on its end.
A ladder of sorts leaning on the ramparts, an effort to climb away from earth's concerns.
The truth is, after meeting whale one is irrefutably altered and that is the new title;-
I R R E F U T A B L Y A L T E R E D.
Today we all met back at the gallery again, Sae, deborah and Floyd, after a few days apart.
The gallery is a rare and special place, a place where creativity is allowed to live.
This was our second drawing based on 'The Ice House' by Lawren Harris 1923.
The house seems to represent a unique and solitary place, surrounded by the elements.
A mystery which invites one to enter.
We hope the gallery does the same.
We seem to organize our lives into years.
Time lines, running parallel until they don't
a sudden turn in direction sometimes takes us
where we can't imagine going
and every new year we commit to being better
a noble resolution we hope to live up to
standing up again
some semblance of structure that we can measure ourselves against,
a path to follow.